Only at Home in a Paradox: M.C. Escher Gets His Artworld Due
Like Gustav Klimt or Claude Monet, the unwilling darlings of dorm room posters everywhere, Maurits Cornelis Escher belongs to the class of meritorious artists…
Read MoreBecca Rothfeld
Nothing in These Works is Given Freely: The Phenomenological Approach of Frank Auerbach
“I think all good painting looks as though the painting has escaped from the thicket of prepared positions and has entered some sort of…
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The Incurable Distance of Gustave Caillebotte
Gustave Caillebotte has been curiously canonized: first as Impressionist, then as Realist, then as more of a collector than an artist. Gustave Caillebotte: The…
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Momus “Best Of”: Vol. 1
It’s been a good ten months. Since October 2014, Momus has quickly become a trusted reference for those wishing to reflect on contemporary art at…
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Bodies Beholden: The Changed Corporeality of David Salle’s New Paintings
In a 2008 commercial for the Swiffer SweeperVac, a conservatively clad woman weaves back and forth with the futuristic device, apparently engaged in an…
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