In the Skin of a Gallery: Sylvie Bélanger’s Challenge to Photography
The image disputes the presence of the thing. In the image, the thing is not content simply to be; the image shows that the…
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The Slow, Meditative Optimism of Jillian Kay Ross
Jillian Kay Ross doesn’t make conceptual paintings. She doesn’t question the fundamentals of her medium, or speak critically to any historical lineage. She isn’t…
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The Contemporary Erotics of Laurie Kang
Sometimes a cliché is the only way to describe an experience so fundamentally mood-inducing that it illuminates the very reason we do what we…
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