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Gallerist Virginia Dwan, the Reluctant Legend

“Any ideas of art history or significance were forgotten,” wrote gallerist Virginia Dwan in 1990, remembering the first time she saw one of Yves…

All Positions Possible: Simone Forti Across Time, Through Community

An eight-foot wooden ramp was propped up at a forty-five-degree angle in one corner. Knotted ropes hung from six holes drilled near the ramp’s…

On the Fear “That There Wouldn’t be Another Project”: A Conversation with Lisa Hsiao Chen

As soon as I heard about Lisa Hsiao Chen’s novel Activities of Daily Living, I wanted something from it. I had been searching Publishers…

The Untenability of the Unethical Museum

The last time I visited a museum was in early March, when I saw artist Tishan Hsu’s survey at Hammer Museum in Los Angeles….

“But Can a Spirit Burn?”: Alternatives for Art Under Capital

We were reprimanded before the meeting even began. The guard, a tough looking woman employed at the Lisbon Tropical Botanical Garden, told us that…

Momus: The Podcast: The Venice Biennale

Pilot Episode: The Venice Biennale Download Welcome to the pilot episode of Momus: The Podcast! For our first broadcast, we focus on the historic Venice Biennale. As…

Momus Best-Of: Vol. 2 2015-16

As we near our two-year anniversary, and summer draws to a close, Momus takes a moment to reflect on the last twelve months of…

Friends Among Us: Reflections on the Value and Risk of Nepotism in Art

Corazon del Sol had just arrived in Lisbon, to an apartment she left in the early 2010s, not long after losing someone close. She…

Momus Talks

Momus Talks is an ongoing series of public events hosted my Momus, often with our colleagues and collaborators internationally. Ranging in format from artist…

Stuck in the Same Muck: Journeying Through Asher Hartman’s Psychic Theater

God seduced Jesus on a Circuit City breakroom table. The seduction began as we, the audience, sat circled in child-sized chairs in a too-bright…