• Writing,
  • Archive
  • Programs,
  • Residencies & Fellowships
  • Talks & Events
  • Podcast,
  • About,
  • Contributors
  • Write for Momus
  • Contact
  • Support
  • Advertise
  • Donate
    •
    Search
    search
  • Writing
  • Archive
  • Programs
  • Residencies & Fellowships
  • Talks & Events
  • Podcast
  • About
  • Contributors
  • Write for Momus
  • Contact
  • Support
  • Advertise
  • Donate
    •
    Explore , or the
    Body Believing: Jana Sterbak at Musée des Hospitalières and Esker Foundation
    Reviews January 15, 2026
    Sky Goodden

    Body Believing: Jana Sterbak at Musée des Hospitalières and Esker Foundation

    Daddy Says: Ed Ruscha in Other Words
    Reviews September 11, 2024
    Rachel Elizabeth Jones

    Daddy Says: Ed Ruscha in Other Words

    Reviewing the Reviews: The 2024 Whitney Biennial
    Features, Reviews August 15, 2024
    Jessica Lynne, Catherine G. Wagley

    Reviewing the Reviews: The 2024 Whitney Biennial

    Romantic and Brawling: On Four Chicago Artists
    Features, Reviews July 25, 2024
    Jeremy Lybarger

    Romantic and Brawling: On Four Chicago Artists

    Bad Reviews
    Features, Reviews May 2, 2023
    Elisabeth Nicula

    Bad Reviews

    A Lapidary Grief: Sheila Heti’s “Pure Colour” Dares Her Critics
    Reviews April 12, 2022
    Jocelyn Parr

    A Lapidary Grief: Sheila Heti’s “Pure Colour” Dares Her Critics

    On Whiteness
    Features February 24, 2022
    Simon Wu

    On Whiteness

    Detective Stories About Feelings: The Driving Force of Peter Schjeldahl
    Features January 27, 2020
    Jarrett Earnest

    Detective Stories About Feelings: The Driving Force of Peter Schjeldahl

    “What’s Changed, and What Should?”
    Podcast April 30, 2020
    Season 3: Episode 3

    “What’s Changed, and What Should?”
    Johanna Fateman

    The Architecture of Exclusion: Storytelling Hannah Hoffman’s New Home Through Paul Williams and Tony Cokes
    Reviews March 15, 2019
    Catherine G. Wagley

    The Architecture of Exclusion: Storytelling Hannah Hoffman’s New Home Through Paul Williams and Tony Cokes

    “What Makes Great Art?”
    Podcast October 22, 2019
    Season 2: Episode 7

    “What Makes Great Art?”
    Jarrett Earnest

    Grieving in L.A.
    Features, Reviews December 22, 2016
    Sky Goodden

    Grieving in L.A.

    Sara Cwynar Prepares Herself to Turn
    Reviews December 2, 2016
    Sky Goodden

    Sara Cwynar Prepares Herself to Turn

    The Ellipses of Eva Hesse: Reading Her Collected Diaries
    Features September 29, 2016
    Mitch Speed

    The Ellipses of Eva Hesse: Reading Her Collected Diaries

    Towards the Profane: Mierle Laderman Ukeles Exercises Her “Maintenance” at Queens Museum
    Reviews September 20, 2016
    Ben Davis

    Towards the Profane: Mierle Laderman Ukeles Exercises Her “Maintenance” at Queens Museum

    The Renewed Focus and Acrid Targeting of Rachel Harrison at MoMA and Greene Naftali
    Reviews August 3, 2016
    Mitch Speed

    The Renewed Focus and Acrid Targeting of Rachel Harrison at MoMA and Greene Naftali

    “As a Relief from Language”: Hilton Als, as Artist
    Reviews April 13, 2016
    Mitch Speed

    “As a Relief from Language”: Hilton Als, as Artist

    The Future of Online Arts Publishing: A Roundtable with artnet News, Momus, and Temporary Art Review
    Features November 10, 2015
    Sky Goodden, Benjamin Genocchio, James McAnally, Sarrita Hunn

    The Future of Online Arts Publishing: A Roundtable with artnet News, Momus, and Temporary Art Review

    It’s Not Stealing If It’s Art: A Re-Primer on Image Appropriation for the Internet Generation
    Features July 6, 2015
    RM Vaughan

    It’s Not Stealing If It’s Art: A Re-Primer on Image Appropriation for the Internet Generation

    Retrospective: Pollock in LIFE
    Features March 27, 2015
    Cliff Eyland

    Retrospective: Pollock in LIFE

    Sign up for the Momus newsletter to hear about new publishing & podcast episodes, open calls, upcoming residencies, talks, and more.

    This field is for validation purposes and should be left unchanged.