• Writing,
  • Archive
  • Programs,
  • Residencies & Fellowships
  • Talks & Events
  • Podcast,
  • About,
  • Contributors
  • Write for Momus
  • Contact
  • Support
  • Advertise
  • Donate
    •
    Search
    search
  • Writing
  • Archive
  • Programs
  • Residencies & Fellowships
  • Talks & Events
  • Podcast
  • About
  • Contributors
  • Write for Momus
  • Contact
  • Support
  • Advertise
  • Donate
    •
    Explore , or the
    Jack Whitten, Human Xerox Machine
    Features, Reviews August 1, 2025
    Elizabeth Wiet

    Jack Whitten, Human Xerox Machine

    A Very Real American Place: The Suburban Unconscious in Mike Kelley
    Reviews March 6, 2025
    Simon Wu

    A Very Real American Place: The Suburban Unconscious in Mike Kelley

    On Not Lasting: Diaries, Loss, and the Art of Eva Hesse
    Features October 12, 2024
    Lauren Stroh

    On Not Lasting: Diaries, Loss, and the Art of Eva Hesse

    Daddy Says: Ed Ruscha in Other Words
    Reviews September 11, 2024
    Rachel Elizabeth Jones

    Daddy Says: Ed Ruscha in Other Words

    A Feeling Between the Lines: The Anxious Influence of Agnes Martin’s “Writings”
    Features, Reviews April 26, 2024
    Terry Nguyen

    A Feeling Between the Lines: The Anxious Influence of Agnes Martin’s “Writings”

    She Was Paying Attention: Remembering Alexis Smith
    Features March 9, 2024
    Kate Wolf

    She Was Paying Attention: Remembering Alexis Smith

    They Made Him Gray: The Whitney Museum Dims Artist and Mystic Harry Smith
    Reviews December 12, 2023
    Eliza Swann

    They Made Him Gray: The Whitney Museum Dims Artist and Mystic Harry Smith

    “A Multiculti Blitzkrieg”: On the Ascendance of the Curator of Color
    Features September 8, 2023
    Simon Wu

    “A Multiculti Blitzkrieg”: On the Ascendance of the Curator of Color

    Bad Reviews
    Features, Reviews May 2, 2023
    Elisabeth Nicula

    Bad Reviews

    Proving the Rule: The “Exceptionalism” Problem with Art-World Labor
    Features April 28, 2022
    Dana Kopel

    Proving the Rule: The “Exceptionalism” Problem with Art-World Labor

    An Ascetic Pose: Avery Singer’s New Refusal
    Features, Reviews March 22, 2022
    Geoffrey Mak

    An Ascetic Pose: Avery Singer’s New Refusal

    On Whiteness
    Features February 24, 2022
    Simon Wu

    On Whiteness

    Jill Mulleady’s Twilight Hour
    Features, Reviews August 4, 2021
    Andrew Witt

    Jill Mulleady’s Twilight Hour

    “I Don’t Go to Crisis Just Yet”: Four Painters Discuss the Rise of Figurative Painting
    Features April 30, 2021
    Jason Stopa

    “I Don’t Go to Crisis Just Yet”: Four Painters Discuss the Rise of Figurative Painting

    “Writing, like fisting...”
    Podcast January 8, 2021
    Season 4: Episode 3

    “Writing, like fisting...”
    Tausif Noor

    The Untenability of the Unethical Museum
    Features October 30, 2020
    Catherine G. Wagley

    The Untenability of the Unethical Museum

    Between the Gallery and the Street: An Interview with Vanessa Thill
    Features August 18, 2020
    Andreas Petrossiants

    Between the Gallery and the Street: An Interview with Vanessa Thill

    How Protest Works Now: Understanding “The Tear Gas Biennial” and its Historic Effect
    Features July 27, 2019
    Ben Davis

    How Protest Works Now: Understanding “The Tear Gas Biennial” and its Historic Effect

    Where Do We Go From Here? Dubious Wealth and Ethical Funding
    Features July 5, 2019
    Ben Davis

    Where Do We Go From Here? Dubious Wealth and Ethical Funding

    More Culture than Capital: Modesty and Ambition at the Atlanta Biennial
    Reviews March 15, 2019
    Maura Callahan

    More Culture than Capital: Modesty and Ambition at the Atlanta Biennial

    Sign up for the Momus newsletter to hear about new publishing & podcast episodes, open calls, upcoming residencies, talks, and more.

    This field is for validation purposes and should be left unchanged.