Our Mutual Desire for Critical Change: Momus and Feature Art Fair
In Venice, last spring, over the requisite Spritz, I met with the London and New York-based critic Orit Gat to discuss the possibility of…
Read MoreIn Venice, last spring, over the requisite Spritz, I met with the London and New York-based critic Orit Gat to discuss the possibility of…
Read MoreIt’s been a good ten months. Since October 2014, Momus has quickly become a trusted reference for those wishing to reflect on contemporary art at…
Read MoreIt’s not easy to write about Iris Häussler. I’ve been avoiding it, though desiring it, since her daring He Named Her Amber (2008) subsumed the…
Read MoreMomus was founded a short time ago. It was initiated as a proposed recovery from a confused and defensive (and, so I thought, largely…
Read MoreWalking the AGO’s latest exhibition Picturing the Americas: Landscapes from Tierra del Fuego to the Arctic with Wanda Nanibush, an Anishnawbe-kwe artist, consultant, and…
Read MoreTwice in the course of a thirty-minute interview with Tacita Dean, her eyes move across the room and narrow-in on the media coordinator, who…
Read MoreA recent scuttling on social-media signaled a disturbance was underfoot at Alberta College of Art + Design (ACAD), where the well-reputed Illingworth Kerr Gallery…
Read MoreThere is a fine line between being an object and a person. And it’s hard to know when it’s been traversed. The difficulty lies…
Read MoreSwimming for his life, a man does not see much of the country through which the river winds. – W. E. Gladstone’s diary, 1868…
Read MorePhotography gallerist Stephen Bulger (b. 1964) is celebrating a significant anniversary after steadily and concertedly contributing to the international market’s appreciation of photography’s position in…
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