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This Is Where It Ends: The Denouement of Post-Internet Art in Jon Rafman’s Deep Web

In a recent essay for Artforum, Jon Rafman described his early work as “romantic.” Specifically, he cited his virtual safaris of Kool-Aid Man in…

Simon Denny’s Trade Show Overkill at MoMA PS1

I’d always thought of the word “disruptive” as a negative term before immersing myself in Simon Denny’s quasi-retrospective at MoMA PS1. The exhibition takes…

Interview: Rashaad Newsome on Voguing, Heraldry, and FKA Twigs

New York-based Rashaad Newsome has many credits to his name, among them “King of Arms” (he is a master in the centuries-old art of…

Ydessa Hendeles: Of Ourselves and of Our Subjects

There is a fine line between being an object and a person. And it’s hard to know when it’s been traversed. The difficulty lies…

Interview: Stephen Bulger Reflects on Twenty Years of Missteps, Success, and Advancing Form in Photography

Photography gallerist Stephen Bulger (b. 1964) is celebrating a significant anniversary after steadily and concertedly contributing to the international market’s appreciation of photography’s position in…

The Temptation of Everything in Michael Dudeck’s “Messiah Complex 5.0”

When a contemporary performance artist adopts religion in general as the theme of a work, a few things are likely to occur: the work…

Interview: Pedro Reyes Reclaims the Politics in Art

Mexican artist Pedro Reyes assumes a mantel that feels at once familiar and utterly unique. In a contemporary-art moment that is pronounced for its lateral reach…

Querying the New Appropriation Art: Is This Cynicism?

The Denny Gallery may have given themselves a curatorial headache with the title of their current exhibition, Share This! Appropriation After Cynicism. There are…

Playing the Double Agent: Kathleen Ritter’s “Camoufleurs”

Kathleen Ritter is an artist. This may come as a surprise to some who knew her better as associate curator at the Vancouver Art…

After Ferguson, A New Protest Culture’s Challenge to Art

Walter Benjamin has a line about the Angel of History who sees the past as “one single catastrophe, which unceasingly piles rubble on top of rubble and…